Enthusiasts Shoot to Thrill: 14 Secrets to Taking Great Car Photos From a Professional Photographer

00:16  13 june  2018
00:16  13 june  2018 Source:   msn.com

Lamborghini to take its Urus SUV racing

  Lamborghini to take its Urus SUV racing Exactly when and where remains to be seen.Exactly when and where the Urus races will be revealed at a later date, but Lamborghini CEO Stefano Domenicali told Autocar that the future motorsport program will have to show off all of the Urus' capabilities. "We will choose a form of competition intended only for our class of vehicle. Our car has many faces. You can enjoy its beauty, it is very fast on the track, very fast off road and very fast on gravel. We will choose something that combines all of these things.

Shoot to Thrill : 14 Secrets to Taking Great Car Photos From a Professional Photographer . Want to show off your baby on the 'gram? Try these pro photo tricks.

Shoot to Thrill : 14 Secrets to Taking Great Car Photos From a Professional Photographer . I had this Rolls-Royce Phantom for three days in Los Angeles, and thought it …

a car parked in a parking lot© Eric Adams

If you have a car you’re proud of, eventually you’re going to want to take some memorable—and sharable—photos of the wonderful machine. You can, of course, take it to a cool spot, snap some images with your smartphone, and be done. But if you put just a bit more thought and effort into it, you can create images that you’ll be as proud of as you are of the car itself.

The 14 examples below—learned over my years of automotive photography—illustrate some key considerations and strategies for shooting cars. The overarching take-home, however, is essentially the same as it would be in other forms of photography: Think about what you’re doing. Don’t just take a snapshot in front of a cool building or a mountain; instead, pay attention to composition, lighting conditions, background, angles, camera settings, and so forth. You don’t have to know everything about photography, but just taking your time and thinking out even a couple of the many aspects that go into a good photo can make a world of difference.

Danica Patrick admits she's 'nervous' about returning to IndyCar

  Danica Patrick admits she's 'nervous' about returning to IndyCar Danica's last race before retiring is the Indy 500 in May.Danica Patrick has to wait a few more weeks before getting behind the wheel for an IndyCar test drive.

Professional photographer and Photocrowd member Paul Bence is our Expert Judge for the current Street Photography contest . Here he shares with us his top tips for how to take great photos on the street. 1. Start local. Don't go searching for a "Special Place" when shooting street photography .

13. Better lenses don't give you better photos . 14 . Spend less time looking at other people's work and more time shooting your own. 58. Photos make great presents. 59. Taking photos of strangers is thrilling . 60. Candid>Posed. 61. Natural light is the best light.

a propeller plane sits parked in front of a car© Provided by TIME Inc.

Car Photography Rule #1: Chase the light

The rule of golden-hour shooting is hugely important. The hour after sunrise and the one before sunset offer the best light for photos; low-angle sunlight adds warmth and texture to the image, and the generally-dimmer lighting allowing you to balance the image elements more easily. But don’t pack it in once the sun goes down: I shot this BMW i8 one evening when it was clear that the sky was shaping up to deliver some spectacular colors after the sun set. Pay attention to clouds, and work hard to get the shot dialed-in, relative to the exposure.

Also, remember that if you want foreground and background equally sharp, bump up the aperture's f-stop to higher values—between, say, f/14 to f/20—while adjusting the exposure to compensate for the increasingly dark image. This was shot at about f/14, but I should have gone a bit higher, since the background is a hair out of focus. (Higher apertures also generate the flares from points of light, as seen in the headlights.)

The Mystery of the Little-Known 1959 XP-719 Corvette Rear-Engine Prototype

  The Mystery of the Little-Known 1959 XP-719 Corvette Rear-Engine Prototype The 8x10 black-and-white glossy was stuck in a folder in the Petersen Photo Archive marked "1959 Corvette." But from its rear-three-quarter view the car looked like no other '59 Corvette we'd seen, more like a cross between an early C2 convertible and a Corvair. The print bore the markings of a GM factory photo: a frame number; photographer's name; and photo date, 2-1-60. On the back, someone had written, "The first mid-engine Corvette proposal 1959." The 8x10 black-and-white glossy was stuck in a folder in the Petersen Photo Archive marked "1959 Corvette." But from its rear-three-quarter view the car looked like no other '59 Corvette we'd seen, more like a cross between an early C2 convertible and a Corvair.

The longest labor: A picture story of prodromal labor and natural birth. Shoot to thrill : Secret The truth is, being a photographer really is awesome, but we do more than “just take pictures.” Holding a camera is not a hobby to us (though we do love it and find great joy in what we can create with it).

I'm going to share the secrets to making your smartphone photos a lot more professional in four If you have to take a photo outside during the harsh light in the middle of day, look for open shade. Once you understand that, even a smartphone can be used to do what the great photographers do

Also, try to keep the ISO as low as possible, to reduce the amount of grain in the final image. The best way to do that is to use longer exposures, which you can do in situations like this—even just one or two seconds—if you have a tripod.

a car parked in front of a building© Provided by TIME Inc.

Car Photography Rule #2: Control your depth of field

De-focusing the background—a technique called bokeh—highlights your subject. You do this by setting the aperture as wide as possible (f/2.8, f/4) and compensating for the brighter image by boosting the shutter speed. If you compose the shot right, the image will be stronger, and have the benefit of a dash of artistic flair as well. Thus, the Bugatti Chiron image above, shot in Los Angeles.

a truck that is driving down the road© Provided by TIME Inc.

Car Photography Rule #3: Pursue your visions

Sometimes you get a little tickle of an idea driving down the road. I had this Rolls-Royce Phantom for three days in Los Angeles, and thought it would be fun to shoot the car with an airplane in the background at the airport. There are plenty of great spots to observe the airplanes at LAX, but there aren’t many places to set up a shot like this one. While I was studying the area on Google Maps—a great resource in general for automotive photography—I noticed all the long-term parking lots directly under the approach path. So I drove up, paid my way onto the lot for $8 per hour, and found myself with an enormous expanse of quiet, low-traffic pavement right under the airplanes. I shot there for two hours—tracking incoming airplanes via an app called FlightRadar24—and came away with dozens of cool images.

Danica Patrick on her first IndyCar practice: ‘Shoot, where’s neutral?’

  Danica Patrick on her first IndyCar practice: ‘Shoot, where’s neutral?’ Danica officially returned to IndyCar with a test session ahead of the Indy 500.The 36-year-old race car driver jumped back in an open-wheeled car for testing at Indianapolis Motor Speedway on Tuesday ahead of the Indy 500 on May 27 for what will be her final race before retiring. With her traditional patriotic helmet, Patrick prepared to climb into her vibrant No. 13 GoDaddy Chevrolet, admittedly nervous.

Becoming a professional photographer does not happen overnight, nor does becoming a great hobbyist photographer . 14 Original Photography Project Ideas. May 10, 2018 — No Comment. How to Take Kirlian Photos : My Step by Step Process.

5. Experiment. Shooting at the beach can be a great time to rent a wide angle or a fish eye or even a Lensbaby. Often times on the beach you will find trash cans, over abundance of seaweed, cars and more. 4 Tricky weather situations and how to take photos in them.

a blurry image of a busy city street© Provided by TIME Inc.

Car Photography Rule #4: Surprise people

Sometimes a direct, straight-down-the-middle shot can be surprisingly impactful, especially when you do something novel with the context. This Mercedes-Benz CLS-Class was shot in Beverly Hills during the holiday season—hence the extra lighting. It took about 20 laps around the block to get it, but it was fun and a surprising way to feature the environment I shot it in.

a close up of a car© Provided by TIME Inc.

Car Photography Rule #5: Get inside

Interiors are important part of the driving experience, but capturing them can be a challenge. I like to shoot with something to see in the window, so for this image of the Porsche Panamera E-Hybrid, I lined it up with some mountains and hotels in the Dolomite mountains of northern Italy. The background is blurred slightly, but I could have made it sharper via a higher aperture—or even made it the opposite, with a sharp background and blurred foreground.

a car parked on the side of the street© Provided by TIME Inc.

Car Photography Rule #6: Avoid shooting at eye level

An easy trap to fall into is always shooting at eye level—as in, the view you get while standing in front of the car. Though that’s the most natural starting point, it’s also the least flattering angle for a car, partially because it’s familiar but mostly because it’s not how cars are best viewed. So go high or go low. You can use a ladder or step-stool for the high angles, of course, but in this case I only had to hold the camera up as high above my head as I could.

Why You Should Stop Charging Your Phone in Your Car

  Why You Should Stop Charging Your Phone in Your Car Odds are, you do it every day!Whether you’re on a long road trip or stuck in traffic during a daily commute, a low iPhone battery could spell disaster for the bored driver. At first, it may seem harmless to plug your phone into your car’s USB port. But unless you’re desperate, charging your iPhone during your commute might be a big mistake. (And by the way, charging your iPhone like this could ruin its battery.

Flying dirt and mud is another great way to capture action in a car photo , but again, definitely exercise caution when shooting these kinds of images. Interesting (22). Useful ( 14 ). How to photograph your car so it will sell on Ebay. Take Great Fish Photos .

We had little time for this photo shoot , it was taken at an Italian car event and it wouldn't take too We always make an appointment to shoot a car in the afternoon, we start at around 14 h00 to 15h00 If you would like to print the Secrets behind a great car shot article you can download our special

a car parked on the side of a road© Provided by TIME Inc.

Car Photography Rule #7: Avoid the obvious shots

Shooting a car in a parking lot is easy. The trick is to make it not look like you’re shooting in one. To do this, get in tight or down low, to ensure that the surface markings don't betray you. This also helps make background objects—in this case Disney Concert Hall in Los Angeles— look stronger.

Note, as well, that you don’t have to feature the whole car in every shot. Capturing just a sliver of it can make for fascinating images.

a red car parked in a forest© Provided by TIME Inc.

Also try to avoid the obvious side-of-the-road shot. You see these in national parks, at scenic overlooks in the mountains, and especially go-to driving spots like Mulholland Drive in Los Angeles. If you have a gorgeous setting, work to create a great composition that takes advantage of it. This Porsche 718 Cayman GTS was shot by the side of the road amid the redwoods of northern California, but I pulled the car a bit farther into the trees to ensure no actual road was visible. (Sometimes, of course, you want the road in the shot, but make sure it’s done in an interesting way—seen through the windshield, perhaps, or with the road swinging past the car while you shoot between the two, from down low.)

a car parked on a city street© Provided by TIME Inc.

Car Photography Rule #8: Use the location to your advantage

2018 Roush JackHammer Mustang Packs A 710-HP Punch To The Gut

  2018 Roush JackHammer Mustang Packs A 710-HP Punch To The Gut Roush will build only 200 examples. Order forms are now open for the 2018 Roush JackHammer Mustang. While the name is, uh, interesting, the performance under the hood is a no-nonsense affair. Roush, the aftermarket tuning company known for jacking up the power of Ford Mustang coupes and convertibles for two decades, has named its latest limited-edition pony car after the company’s founder, Jack Roush.Roush adds an assortment of goodies to the Mustang. Most notable is the Roush R2650 supercharger that takes the 5.

That is why I am thrilled to share with you my first book, The Absolute Beginner's Guide to Taking Great Photos - published by Random House. This guidebook is also great for serious photographers - those of you who prefer to "make" rather than " take " photos . $ 14 .95.

If you are starting off as a portrait photographer or you are just seeking to enhance your portrait skills, the above six trade secrets can help you go a long way. If you take note of these and apply them while practicing or shooting photographs , you are guaranteed to have professional -quality results.

In each of these cases, I set out to find a location that took advantage of the context—a snowstorm in one, the energy of downtown Seoul in the other. But driving around for an hour both times paid off.

a close up of a logo© Provided by TIME Inc.

Car Photography Rule #9: Capture the quirks

Some cars have unique features that you’ll likely want to celebrate. The scissor doors in the BMW i8 are great examples, as is the Spirit of Ecstasy hood ornament on the Rolls-Royce Phantom, shown here. Focus on finding novel or surprising ways to shoot these features. For this image, I mounted a GoPro directly behind the hood ornament and then drove around town with the camera in time-lapse mode shooting two-second exposures. After a few miles, I had hundreds of frames that ordinarily would be stitched together into a single movie. But that wasn’t my goal—I just used that specific feature to get the camera to shoot continuously. I went through the images, found the 5 or 10 with the best light streaks, and processed just those.

a car parked in front of a mountain© Provided by TIME Inc.

Car Photography Rule #10: Shoot vertically

Vertical images look better on mobile devices, so don’t forget to fold some into your shooting. The challenge is creating satisfying vertical composition of overwhelmingly horizontal subjects. The answer is partly obvious—don’t shoot the car from the side—but it also involves finding nicely balanced strategies for filling the frame, It could be using a segment of the car or having prominent foreground or background objects.

The image on the left is a personal favorite: the Starlight Headliner in the Rolls-Royce Wraith Black Badge, with the actual Milky Way in the background. This was in Death Valley, California; it took me two hours in 110-degree heat (after dark, no less) to set it up. I had to place gaffer tape on all the interior lights because the exposure needed to be 30 seconds to pull in the Milky Way, and the lights would have blown out the image. Shooting this was a great adventure, and a memorable night—made sweeter by the fact that I successfully executed the vision.

Watching an 18-Speed Manual Transmission at Work is Intimidating

  Watching an 18-Speed Manual Transmission at Work is Intimidating A combination of ten gates, a high and low switch, and a 'splitter' button makes things slightly complicated.Have you ever wondered how 18-wheelers are able to carry 60, 70, and even 80 thousand pounds of cargo somewhat effortlessly down the highway, and sometimes even up steep mountain-side roads? The big and powerful diesel engines hiding under their massive hoods play a big role, but in reality, it's the transmissions that work the real magic.

We had little time for this photo shoot , it was taken at an Italian car event and it wouldn't take too We always make an appointment to shoot a car in the afternoon, we start at around 14 h00 to 15h00 If you would like to print the Secrets behind a great car shot article you can download our special

There is no secret formula for great in motion car photography , I do hope this article will help people, to shorten time from start till great car photo . I know it took lots of time and practice to get results professional magazine a like.

a car parked in front of a sunset© Provided by TIME Inc.

Car Photography Rule #11: Use backlighting

Shooting with the sun in the background is a challenge, and requires some editing work after the shot. To get images like this, expose the frame so that the sun looks as you want it, and then go in later and brighten up the foreground by raising the shadows and lowering the highlights, both of which are easy settings to adjust in most photo editing software.

Try a variety of settings while shooting, and see which one lets you balance the image the best later. (Learn how to use editing software to touch up your images, as they rarely come out of the camera perfect. Most every image you see from the pros has had some work done to it.)

a car driving on a road with a mountain in the background© Provided by TIME Inc.

Car Photography Rule #12: Fill the frame

Many photographers start with wide-angle lenses, most commonly a 24-70mm zoom. It’s a great lens, but I’ve found you can fill the frame better with a telephoto. A 70-200mm zoom lets you compose much tighter images, with distant background objects nicely magnified, as here with the Porsche Panamera. You might have to walk 50 or so yards away from the car to get it, but the results can be fantastic.

Another tip: Don’t forget to turn on the headlights while shooting, since that usually makes for a stronger image. If it’s during the day, use the brights, too.

a car parked on the side of a mountain road© Provided by TIME Inc.

Car Photography Rule #13: Rope in your friends

Shooting car-to-car is a thrill, but use common sense. Don’t do it on public roads—parks can be good for stuff like this—and don’t roll around the back of an SUV. If you don’t have a proper harness setup, just shoot from the back seat of a hatchback with the rear lid open.

When shooting cars in motion, “drag” the shutter by setting it between 1/40 and 1/60 of a second in shutter-priority mode. (That's the “S” on the control dial—it lets you adjust the shutter speed while it sorts out everything else.) Hold the camera steady, and fire away.

a view of a mountain© Provided by TIME Inc.

Car Photography Rule #14: Don’t hit them over the head

It doesn’t have to be entirely about the car. In fact, sometimes the most beautiful images emerge when you dial down the car’s presence in an image, as I did here with the Rolls-Royce Dawn in Cape Town, South Africa. Let the environment lead you to the best shot—just remember that it may not be what you expect.

Rahal extends contract with RLLR in 5-year deal .
Rahal Letterman Lanigan Racing has announced a multi-year contract extension with driver Graham Rahal today. Rahal has driven for the team co-owned by IndyCar legend Bobby Rahal, David Letterman and Mike Lanigan since 2013 and has earned six wins, 27 podium finishes and 48 top-5 finishes in his Indy car career to date.He finished top-six in the points standings for the last three IndyCar seasons. “It’s nice to continue the consistency we’ve had in the program,” said Rahal Jr. “All of this is thanks to the sponsors that have given our team the stability to allow me to sign for five years.

Source: http://us.pressfrom.com/autos/enthusiasts/-154473-shoot-to-thrill-14-secrets-to-taking-great-car-photos-from-a-professional-photographer/

—   Share news in the SOC. Networks

Topical videos:

This is interesting!