Entertainment Directors Guild Sets the Bar With Progressive Nominations

00:06  12 january  2018
00:06  12 january  2018 Source:   Variety

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That’s been the trend for much of the last year, and it’s one that continues with the announcements of the Director ’s Guild Awards nominations . The DGA has now announced its nominations for their Outstanding Directorial Achievement in Feature Film for 2017 (h/t to Deadline).

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Jordan Peele wearing a hat© Provided by Variety

If it wasn’t already an issue, Natalie Portman certainly made it one at the Golden Globes: There are talented, award-worthy female directors in the Oscar hunt this year. You just have to nominate them.

While female-centric stories were certainly in the spotlight Sunday night, it was notable that there were no female filmmakers nominated for best director. This despite there being clear choices: Greta Gerwig (“Lady Bird”), Dee Rees (“Mudbound”), and Angelina Jolie (“First They Killed My Father”) are all worthy contenders this year.

The Directors Guild of America dodged this bullet Wednesday by nominating Gerwig, making it just the ninth time the group has recognized a woman. In this regard, the guild has a better record than the Academy’s directors branch, which has only nominated four women in the category to date (the last being Kathryn Bigelow, who made history with her win for “The Hurt Locker” in 2010).

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With today's nominations for the Directors Guild 's Outstanding Directorial Achievement award, that dream is looking less likely: Both Ava DuVernay and Angelina Jolie were left out in favor of Alejandro Iñárritu, Clint Eastwood, Richard Linklater, Morten Tyldum, and Wes Anderson

In the DGA ranks, Gerwig joins Lina Wertmüller (“Seven Beauties”), Randa Haines (“Children of a Lesser God”), Barbra Streisand (“The Prince of Tides”), Jane Campion (“The Piano”), Valerie Faris (“Little Miss Sunshine”) and two-timer Bigelow (“Zero Dark Thirty” in addition to “The Hurt Locker”).

Meanwhile, the guild also righted another HFPA wrong: Nominating a filmmaker of color when there was at least one clearly deserving player. “Get Out” helmer Jordan Peele joins Lee Daniels (“Precious”), Steve McQueen (“12 Years a Slave”) and Barry Jenkins (“Moonlight”) as only the fourth black director to be recognized. The statistic that jumps out there is all four of them have come within the last decade.

Add Mexican helmer Guillermo del Toro (“The Shape of Water”) to the list and you have a positively progressive batch of nominees. Martin McDonagh (“Three Billboards Outside Ebbing, Missouri”) and Christopher Nolan (“Dunkirk”) rounded out the slate.

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So the pressure is on the Academy to make as much of a splash. It’s worth remembering that the organization’s directors branch is a fraction of the DGA’s size, roughly 500 members compared to something like 18,000. Broadly popular films always have a leg up with the guild, while the Academy can sometimes eschew widely appealing favorites (like “The Martian” or “Les Miserables”) in favor of something on the fringe (like “Room” or “Beasts of the Southern Wild”). With that in mind, it’s not unlikely that one or even two of these names could fall off in favor of someone like Sean Baker (“The Florida Project”) or Luca Guadagnino (“Call Me by Your Name”).

Steven Spielberg was the most bold-faced name passed over this year, for “The Post.” But it’s become clear that, with a number of key guild and industry group misses, that his film hasn’t maintained a strong Oscar season foothold in general.

Peele also double-dipped in the DGA’s first-time filmmaker category, nominated alongside Geremy Jasper (“Patti Cake$”), William Oldroyd (“Lady Macbeth”), Taylor Sheridan (“Wind River”) and Aaron Sorkin (“Molly’s Game”). “Lion” helmer Garth Davis was also nominated for both last year, only to be passed over by the Academy in favor of Mel Gibson (“Hacksaw Ridge”).

For now, the DGA has amassed a stellar, rather inarguable slate of filmmakers. It’s one of the guild’s best lineups in years, frankly, and one that has set the bar for the remainder of the season.

Hollywood producers announce new sexual harassment guidelines .
In the wake of the Harvey Weinstein controversy and the #MeToo movement, the Producers Guild of American announced extensive new rules Friday to clamp down on sexual harassment in Hollywood. The rules are the result of a task force created in October to safeguard against harassment on and off the set. “Sexual harassment can no longer be tolerated in our industry or within the ranks of the Producers Guild membership,” said presidents Gary Lucchesi and Lori McCreary in a statement. “… it is our obligation to change our culture and eradicate this abuse.” The guidelines first go about describing what is sexual harassment in Hollywood production terms (examples include quid pro quo offers of jobs in exchange for sex and creating hostile work environments with unwanted advances, jokes, or derogatory comments). Then the PGA listed new recommendations for productions: Follow federal and state harassment laws, provide in-person sexual harassment training on all productions, offer reporting procedures for victims of harassment, listen to reports of harassment “with attention and empathy,” move quickly to address the concerns, and keep an eye out for any possible retaliation against an accuser. In laying out a protocol for victims and witnesses, first and foremost the PGA urges that anybody who feels they are the victim of a crime to report it to authorities immediately.

Source: http://us.pressfrom.com/news/entertainment/-112185-directors-guild-sets-the-bar-with-progressive-nominations/

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